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/// IN THE AIR / Konstantin Grcic                                                             Konstantin Grcic / IN THE AIR ///
          You are the curator and scenographer of the exhibition MATCH,
          on  the ties  forged  and  the future of  sport  and  design,  at  the
                                                                     4                       5
          Musée du Luxembourg (Paris). Tell us about the exhibition.
 KONSTANTIN GRCIC
          Konstantin  Grcic:  The  French  National  Museums  wanted  an
 Design, set  exhibition on sport as part of the Cultural Olympiad program. The
          exhibition that I put together examines the relationship between
          the  two  fields  and  looks  to  the  future.  Sports  design  helps  to
 & MATCH  improve athletes’ sporting  performances. They're  better,  faster
          and safer, but also more inclusive. It expedites reinvention. Sport
                                always
                                      progressing
          is
           a
             very dynamic industry,
                                                   focused
                                                and
                                                          on
          improvement. Design participates in this. That seems paradoxical,
          because  in  other  sectors,  design  can  be  almost  conservative;
          it  reassures  us  with  the  well-known  codes  that  we're  seeking.
          Especially in furnishings. So, the same person might look for the
          avant-garde  in the  design  of their  sporting  equipment and then
          seek reassurance in the lines of their furniture.
 THE  RENOWNED  GERMAN  DESIGNER  HAS
          Does sport have a place in your design creation?
 DESIGNED  THE  SCENOGRAPHY  FOR  THE
          K. G.: Sport was my first design teacher! As a kid, I was obsessed
 EXHIBITION  "MATCH",  RUNNING  FROM  MARCH
          by sports  gear. I studied  sporting catalogs. I learned a  lot, and   Your career as a designer is long-lasting. How do you look back
 13  TO  AUGUST  11,  2024,  AT  THE  MUSÉE  DU
          that  unconsciously became part  of my creative process. Sports   at your early years?
 LUXEMBOURG  (PARIS).  AN  design is very functional; it needs to be performance-driven and
                                                                 K. G.: My first projects seem so far away; and I don't just mean
          logical;  both in  its form and  structure, and  in  how it's made.  It
 ENCOUNTER  BETWEEN
                                                                 in  numbers of  years. There were no  computers when I started!
          creates  a  very rational  but  very dynamic language.  Of course,
 DESIGN  AND  SPORT                                              Lots  of  tools  didn't  exist  back  then.  Society  has  completely
          it's not  the same in  furniture; even though a  chair needs to be
                                                                 changed. Digitization has changed life; its speed, its complexity,
 WITH  A  TOUCH  OF  THE
          high-performance and functional in its own way. You have to be
                                                                 the amount of data we're drowning in, our habits... Before, I used
 FUTURE. PERFECT TIMING   able to move around on it and feel comfortable. That gives us a
                                                                 to go to work, to an o ce, and sit at my desk. Today, all you need
          psychological key to understanding the impact of design on  our
 FOR THIS SPORTING YEAR.
 2                                                               to work is an internet connection. It's a great opportunity, a great
          feelings. And that's true of sport, too. If I put on shoes designed
                                                                 freedom; but that also creates problems, which we're all familiar
          in a certain way, I'll have the feeling I can run faster.
                                                                 with.
          Numerous seats, but also lunch boxes, flushes, bags, watches,
                                                                 What room is there for teaching in your life as a designer today?
          clothes...  Integrating  design  into  the everyday  and  making  it
          accessible seems to be important in your choice of projects and   K.  G.:  I  haven't  taught  in  a  long  time.  That  was  by  choice;
 1
 Photo credit: © GrandPalaisRmn / BUREAU BORSCHE  part  of our  culture.  How  do  we  live?  With  what?  How  does  it  2020, I accepted a teaching post in Hamburg, because I wanted
 36       partnerships. why I  became  a  designer.  is I  love  people.  Design  is  I  wanted  to  focus  on practice. But  it  wasn't  a refusal to  share.   37
                                                                 In my studio, I still  believe my job is to pass on  my knowledge
              That's
                                                     design
                                                when
                                              it
          K. G.:
                                                                 to my staff. It's a form of knowledge and experience sharing. In
                                   Design
                                                           is
                                           for
                       everyday life.
              of people's
          part
                                                                                                      what
                                                                                                  back
                                                                 to
                                                                                                           I
                                                                                                                been
                                                                                                            had
                                                                                     wanted
                                                                                              give
                                                                                            to
                                                                   behave
                                                                          responsibly;
                                                                                    I
          represent  our life? Addressing these  questions is one of my big
                                                                 given when I  was younger. But that wasn't  my only motivation.
          driving forces.
 3                                                               As  the  years  go  by –  I'll  soon  be  59  –  I  need  to  stay in  touch
                                                                 with young people; to listen to, learn from and be inspired by the
                                                                 younger generations.
 1 & 5.     Myto
 2.   Mayday
 3, 6 & 7.   Exhibition poster and visuals
 MATCH Design & Sport                     6
 a story looking to the future
 4.   Chair One
                                                                        Sports design helps to improve athletes’
                                                                        sporting performances. They're better,
                                                                        faster and safer, but also more inclusive.
                                                                        It expedites reinvention.
 Konstantin  Grcic,  some  of  whose  creations  are  7
 among  the  permanent  collections  of  the  Paris
 Modern  Art  Museum  and  the  Decorative  Arts
 Museum, has had a very functional approach to
                                                                                              Photo credit: © Photo Didier Plowy for GrandPalaisRmn
 design  throughout  his  career.  His  radical,  pure,
 direct, simple, but never minimalist style singles
 him out. An exhibition regular, he organizes them
 to  present  his  own  works;  or,  like  here,  to  put
 across  a  certain  point  of  view  without  actually
 showing  any  of  his  works.  Today,  he  shares  his
 vision with us.
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